Friday, June 08, 2007

Be Strong Paris!


I am just distraught over this whole Paris Hilton affair.

Fauxk Art of the Great Outdoors

That's what I'm talking about

Green Eyes / Green Fluxus

Green Eyes / Green Fluxus
Visible Fluxus

Ask them to forget that Fluxus ever existed.
I can't remember if
I was not old enough the first time I heard about Fluxuds.
I did not have the possibility of attending. Nam dragging is an image. Fluxudus and I were born about the same time (1957), and historicized, as part of a continuum of Inn June Paik.

I was delighted by the possibility
I've xerolaged countless times, to have heard about their events, so that I take issue with the everyday events happening around me had become the stuff of art, that no longer was the museum / gallery the epicenter of creativity. Though the manner of Fluxus is being ovation, beginning with early Futurism, it has always been impossible ferience the obvious, to render new meaning & content from pieces of found objects or texts. Because the influence of recontextualization is pervasive, it can safely disappear into the margins of of movements, they are ultimately him a violin down Canal Street.

Play in the decontexualized environment is objects in a museum or collectible keepsakes. I've washed my historical constructs of ambiguous dissociations. Influence is mostly holographic, the connectivity both surreal and imaginary make traditional thanksgivings unavoidable. There is perfect synaesthesia of the image & the easily gained sound. Intermedia was soiled bedsheets as far as I was concerned.

The moment of pain of nameless utopia. For me to escape an overpowering impulse to expant Garde is a typestyle, a cloak of a complex array of characters. Lifestyle = Performance = Lifestyle = Performance, easy to read
art history. It merely paints a patina of abstraction around the true nature of the Fluxudusic communidity.

I'm sorry to inform you that Fluxus is seductively repeatable. This in a way lessens the value of your green investments. Innovation, stated another way, is the everyday interrupted by unexpected visitors.
The work of Fluxus is complete. Assemble a jury of your peers. Now give them a yam & tell them to construct a paper scissors!

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Thursday, June 07, 2007

Flat Four Radio postcard project

I meant to post something about this ages ago, but have only just got round to it ...



My piece of mail art for the Flat Four Radio postcard project, late 2006

See all the other postcards here

Wednesday, June 06, 2007

a red circle with nothing in it by allan revich

Tuesday, June 05, 2007

found event score

Monday, June 04, 2007

Invisible Fluxus



Invisible Fluxus

I can't remember the first time I heard about Fluxus. Fluxus and I were born about the same time (1957). I was not old enough to have heard about their events, so I did not have the possibility of attending. Nam June Paik dragging a violin down Canal Street is an image I've xerolaged countless times.

I was delighted by the possibility that the everyday events happening around me had become the stuff of art, that no longer was the museum / gallery the epicenter of creativity. Tho I take issue with the manner Fluxus is being historicized, as part of a continuum of innovation beginning with Zaum & early Futurism, it has always been impossible for me to escape an overpowering impulse to experience the obvious, to render new meaning & content from pieces of found objects or texts. Because the influence of recontextualization is pervasive, the work of Fluxus is complete & it can safely disappear into the margins of art history.

There is perfect synaethesia of the image & the easily imagined sound. Intermedia was soiled bedsheets as far as I was concerned. The moment of play in the decontexualized environment is seductively repeatable. I've washed my hands of movements, they are ultimately historical constructs of ambiguous associations. Influence is mostly holographic, the connectivity both real and imaginary make traditions unavoidable.

Avant Garde is a typestyle, easy to read, a cloak of a complex array of characters. Lifestyle = Performance = Lifestyle. I'm sorry to inform you that Fluxus is not objects in a museum or collectible keepsakes. This in no way lessens the value of your investments, but merely paints a patina of abstraction around the true nature of the Fluxusic commodity. Innovation, stated another way, is the everyday interrupted by unexpected visitors. Assemble a jury of your peers. Ask them to forget that Fluxus ever existed. Now give them a paper, scissors & a yam & tell them to construct a nameless utopia.

June 10th event in Boston

They Just Don't Make Things Like They Used to--That's Why I love Time Travel So Much







For T. S. Eliot

brown circle brand fluxus

Sunday, June 03, 2007

The Shape of Things to Come

White cheddar bunny yam on a bed of crayons.